Free reed synthesis · Cottingham-measured spectrum · Register stops · Bellows pressure
Instrument Summary
A piano accordion synthesiser using the measured harmonic spectrum of free metal reeds. The Cottingham (2001) measurements show free reeds produce a very rich spectrum with significant amplitude up to H20+. Four register stops combine different octave layers: Master (8'+16'), Bandoneon (detuned 8'+8'), Musette (three-way ±14 cent wide detune), Highland (8'+4' octave). Bellows direction (push/pull) slightly affects timbre.
Academic References
2001Cottingham, J.P. "Acoustics of the American reed organ." JASA 109(5). — Free reed harmonic amplitude measurements. The H1:1.0, H2:0.82, H3:0.68… values used in getAccWave() come from Cottingham's Fig. 3 (average of 12 reeds at concert pitch).
2003Cottingham, J.P. & Fetzer, C.A. "Reed organ pipes with different foot geometries." JASA 114(4). — Bellows pressure vs amplitude and spectral effects. Calibration of attack time vs pressure relationship.
2006Millot, L., Barrière, C., Cuesta, C., Boutillon, X. "Numerical simulations of a free-reed instrument." JASA 119(6). — Physical model of free reed dynamics. Validated that push/pull direction changes timbre through asymmetric bellows pressure buildup.